All’s quiet in the Lady Chapel, sheltered from the bustle of the city by thick limestone walls of Totternhoe clunch, quarried just a few miles north-west in Bedfordshire. But though I’m aware of being alone in a vast vaulted space, when I look at the stonework, I feel surrounded by the echoes of women who’ve stood here before me and left their legacy on the chapel walls. By the late 19th century, the Lady Chapel was dilapidated, the 14th-century ornamental stonework almost all obliterated, and an extensive restoration project was under way. John Baker, a London-based ecclesiastical sculptor, was commissioned
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