CONTROVERSY: The festival’s director has acknowledged that this year’s edition had been ‘emotionally charged’ after the jury president’s comments sparked outrage
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AFP, BERLIN
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Yellow Letters, directed by German filmmaker Ilker Catak, on Saturday won the Berlin Film Festival’s Golden Bear for best film at a ceremony reflecting the controversy over Gaza that has dogged this year’s edition.
Some award winners spoke out in favor of the Palestinian cause, pushing back after jury president Wim Wenders had sparked outrage earlier by trying to steer the festival away from the issue.
Festival director Tricia Tuttle on Saturday acknowledged that this year’s edition had been “emotionally charged” after days of sometimes acrimonious debate on how far filmmaking should intervene in politics.
German actress Sandra Hueller poses with the award after winning the Silver Bear for Best Leading Performance at the 76th Berlin International Film Festival on Saturday.
Photo: Reuters
Catak’s film tells the story of a Turkish director and his actor wife, suddenly barred from working because of their political opinions.
Wenders called the film “a terrifying premonition, a look into the near future that could possibly happen in our countries as well.”
While set in Turkey, the film was shot in Germany, an artistic choice to make the point that threats to liberty are universal.
German director Ilker Catak poses with the award after winning the Golden Bear for Best Film for Yellow Letters at the 76th Berlin International Film Festival on Saturday.
Photo: AFP
The runner-up Silver Bear Grand Jury Prize went to Salvation by Emin Alper, who in his speech expressed solidarity with several high-profile opposition figures in prison in Turkey, including jailed Istanbul Mayor Ekrem Imamoglu.
Alper’s film, inspired by a true story, shows the consequences of a feud over land between two clans in a remote mountain village.
He took the opportunity to speak up for “the people of Iran suffering under tyranny” and “Kurds in Rojava and the Middle East struggling for their rights for almost a century — you are not alone.”
Alper also spoke of “the Palestinians in Gaza living and dying under the most terrible conditions.”
Alper was not the only award-winner to express support for the Palestinians.
Syrian-Palestinian director Abdullah al-Khatib won Best First Feature Award for Chronicles From the Siege.
He accepted the award with a keffiyeh draped over his shoulder and gave an impassioned speech in which addressed the German government by saying: “You are partners in the genocide in Gaza by Israel.”
He received cheers for his words, but also prompted some heckling, reflecting the tension over Gaza which has often overshadowed this year’s event.
Speaking at a news conference at the beginning of the festival last week, Wenders answered a question about the German government’s support for Israel by saying: “We cannot really enter the field of politics.”
At the same news conference, he had said that films had the power to “change the world,” but in a different way from politics.
However, his comments in response to the question on Israel prompted a storm of outrage.
Award-winning Indian novelist Arundhati Roy, who had been due to present a restored version of a 1989 film she wrote, pulled out of the event, branding Wenders’ words “unconscionable” and “jaw-dropping.”
On Tuesday last week, an open letter signed by dozens of film industry figures, including actors Javier Bardem and Tilda Swinton and director Adam McKay, condemned the Berlin festival’s “silence on the genocide of Palestinians” and accused it of being involved in “censoring” artists who oppose Israel’s actions.
Tuttle has firmly rejected the accusations.
Wenders on Saturday addressed the controversy.
“The language of cinema is empathetic. The language of social media is effective,” he said.
Addressing political activists, he said: “All of us applaud you. You do necessary and courageous work.”
“But does it need to be in competition with us? Do our languages need to clash?” he asked.
Other award winners on Saturday included German actress Sandra Hueller, who received the Silver Bear for Best Performance for her title role in Markus Schleinzer’s Rose.
The black-and-white drama tells the story of a woman passing herself off as a man in rural 17th-century Germany to escape the constraints of patriarchy.
Queen at Sea by US director Lance Hammer, which stars Juliette Binoche as a woman caring for her mother with dementia, picked up two awards.
The film portrays the devastation Alzheimer’s disease inflicts on loved ones. Tom Courtenay, 88, and 79-year-old Anna Calder-Marshall, who plays the ailing mother in the film, shared the Silver Bear for Best Supporting Performance.
The film also picked up the Silver Bear Jury Prize, considered the third-most prestigious award.
Grant Gee picked up the Best Director award for Everybody Digs Bill Evans his black-and-white biopic of the legendary jazz pianist.
