When Andrew Dawson brings a sound system to Puji Temple in Tainan, Taiwan, for lunar new year celebrations, its deities keep watch. Behind the plywood speaker stack hangs a circular plaque of Caishen, the Chinese god of prosperity. Around the corner from the dub and reggae street party, families burn long incense sticks for the site’s patron religious figure, the thousand-year-old Chifu Wangye, a prince who died sampling well water poisoned by the plague gods to save his own villagers. To some, partying in a religious site like this might seem sacrilegious, or at least insensitive. But Dawson has been
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