Over three seasons, The White Lotus, HBO’s acclaimed limited series-turned-anthology, has specialized in a particular type of scene: a group of American characters on vacation abroad – always rich and usually white, as per the real patrons of international luxury resorts – engage in conversation with the veneer of politeness but intent to draw blood. None of the players are considered “good” – in the world of the show, not too far removed from ours, to be rich enough to vacation at the White Lotus implies some level of moral rot that blossoms like black mold – but one has