AFP, JAKARTA
In the mid-19th century, Dutch colonial officials climbing an Indonesian volcano spotted an ancient statue meant to serve as protection against misfortune, looted it and took it to the Netherlands.
Today, the volcanic rock likeness of the Hindu god Ganesha, bearing four arms and the head of an elephant, stands tall inside Indonesia’s National Museum in Jakarta.
The country is repatriating hundreds of similarly pillaged treasures, reclaiming parts of its history lost to looting under its former colonial ruler from the late 17th century to independence in 1945.
A person views the statue of Prajnaparamita, the Buddhist goddess of knowledge and wisdom, at the National Museum of Indonesia in Jakarta on Oct. 15.
Photo: AFP
“We fully support it, because it is part of preserving our culture,” 23-year-old banker Devi Aristya Nurhidayanti said, standing in front of the Ganesha statue.
“Nowadays, not many people are aware of the history. Hopefully, through efforts like this, more people will learn that this is part of our heritage,” Devi said.
The effort is part of a global restitution movement for goods plundered from the global south, where heritage workers are preparing to bring back pieces missing from their colonial pasts.
So far 828 cultural items have been returned to Indonesia from the Netherlands, the Indonesian Heritage Agency said.
They represent a mosaic of tradition, culture and craftsmanship from across the Southeast Asian archipelago nation — from coins and jewelry to textiles and weapons.
The Dutch government has pledged to return cultural artifacts stolen during more than three centuries of Dutch control, based on a 2020 recommendation from a government advisory committee.
One Cabinet minister has said the items should have never been taken.
Indonesia’s strong diplomatic ties with the Netherlands played a key role in negotiations, starting with a 2017 cultural agreement, said I Gusti Agung Wesaka Puja, head of the Indonesian Collection Repatriation Team in the Netherlands.
“The significance of this is to demonstrate to the international community that Indonesia is capable of having these objects returned,” he said. “This counters skeptics who claim Indonesia lacks the capacity to preserve such valuable heritage.”
Among the items returned are three other Hindu-Buddhist sculptures depicting deities taken from a 13th-century temple compound in the Singosari kingdom near the Mount Semeru volcano on Indonesia’s main island of Java.
The standing Ganesha is one of only a few in the world, archeologist Dwi Cahyono said.
“This standing position symbolizes vigilance against danger,” he said.
So, its repatriation is a “spiritual effort to calm the wrath of disasters in Indonesia,” which sits on the Pacific’s Ring of Fire.
Thousands of stolen cultural items are believed to remain abroad in the Netherlands and other countries, with more research needed to bring them home.
While no further repatriations from the Dutch are slated, Dwi hopes to see more works making their way back in the coming years.
“I still look forward to the return of more assets, and this remains a priority, as these objects are crucial to strengthening our cultural heritage,” he said.
There is also a debate about what Indonesia should do with the artifacts and how to deliver them to the people when they return — through displays or returning them to their original locations.
“What meaning do we want to present to the people?” University of Indonesia archaeologist Irmawati Marwoto asked.
“The museum must… present these objects to the public in a meaningful way and enhance knowledge about them,” Irmawati said.
The expert argued the country’s museums must be prepared for the treasures “before requesting the return of more across the world,” because of fears that items would not be properly maintained.
Indonesian Minister of Culture Fadli Zon has said the government plans to upgrade and standardize Indonesia’s museums, securing them from natural disasters, but has not provided details.
Catur Puji Harsono, a history enthusiast from Central Java, said any form of the statues being returned to their original sites, including replicas, would make him happy.
“When I was a child, I loved visiting the temple compounds. But unfortunately, the temples were often empty,” the 32-year-old said, showing his two sons the repatriated artifacts in the national museum.
“Having that memory again is important. It reminds us of the identity of the Indonesian nation,” he said.
