Summary
- Shepard Fairey, known for his iconic Obama campaign poster, is shocked to see his Marianne painting being used by the far-right in France.
- Fairey expresses disappointment in the misuse of his image and the lack of values associated with the far-right.
- Despite the hijacking of his work, Fairey chooses not to take legal action, citing the potential for it to be turned into a victory for the perpetrators.
- Fairey reflects on the power of art in addressing difficult topics and remaining connected in a world filled with injustice.
